Crazy Rich Asians not only gives me hope for more diverse representation in Hollywood, but also for the resurgence of romantic comedies.
But first let's talk about eyelash extensions. Akin to the popular double-lid surgery, eyelash extensions became popular in Asia in the early 2000s, more recently making its way to the United States. The extensions were a more cost-effective way of making eyes bigger and compared to "surgery" it felt, to me, less like a blatant admittance of wanting to look more caucasian. While eyelash enhancement has been around since the 1800s, it makes sense why it became popular among Asians. People (even today, to my face) have described beautiful people as having big eyes. Symmetrical face sure, healthy sure, pimple-free sure. But big eyes is very specific and cancels out a good portion of the population, mainly Asians. In the movies and tv shows I'd watch nobody ever looked like me. The closest I had was Kristen Kreuk who is half Chinese but white passing. I thought, maybe I could at least look half Chinese?
What's weird is that when I was a little kid I thought I was super cute. Like I saw an ad for GAP that said they were looking for their next group of GAP Kids models. In my cute little bird brain I thought yeah I could do that. That was before I started watching romcoms.
So when I started getting my eyelashes done in my mid-twenties somewhere deep down I knew I was giving into westernized beauty. My coworkers said it's a slippery slope to botox to which I replied, I'm Asian, we don't crack until 70. Beauty goes both ways.
By then the romcom had died. And I still look Chinese, just with longer eyelashes.
Remember when there were two friends with benefits movies that came out at the same time? Poor choices for Mila Kunis and Natalie Portman but they both looked great in oversized boyfriend (or just friend?!) button downs.
Mindy Kaling said "the genre has been so degraded that saying you like romantic comedies is essentially an admission of mild stupidity."
"The RomCom's cause of death is not just the death of willing (or talented) stars, studios and audiences, but the fact that there are no longer obstacles to nuptial bliss for the budding couple to overcome. New complications must be invented, and test-driven - which nobody is invested in doing anymore." -The Atlantic, 2014
CRA roughly mirrors "my boyfriend turned out to be a prince and I don't know how to deal with that information" narrative. But the main difference is it's told through a fresh lens - one that is culturally relevant to many (but not all) Asians, but can still be thematically relatable to a general audience. As far as I'm concerned I'm done with the Katherine Heigl romcoms. New perspectives and voices are welcome. Give us new budding couples with varying eye shapes. Give us new obstacles. Because you're not going to get a sharp mahjong scene with Kate Hudson.
Romcoms miss out on a lot of things. Like diving into the pain and suffering of a repressed community. But they do something great, like allowing us to escape, hyperbolize and romanticize. To stare at abs. To believe in the grand gesture. With more representation in the romcom genre we expand the category of who is capable of love. And with how the world is going we can definitely use more of this than the anti-hero, the dramedy, or the dystopian mirror.
Hollywood, please give us more romcoms. I want to cry my fake eyelashes off.